rokinon

Rokinon 8mm f/3.5 Fisheye Overview The 8mm f/3.5 Fisheye Lens for Canon EF from Rokinon gives you a 167° view with dramatic, exaggerated perspective when used with an APS-C camera, or a circular image floating in the frame when used with a full frame digital camera or 35mm film camera. With hybrid aspherical lenses and multi-layer coating, you will produce sharply defined images with a minimum of flare and ghosting. The 8mm manual focus lens focuses as close as 1' (30.48 cm) from the lens, and has a built-in petal lens hood.

Note:

Produces a vignetted image on full-frame sensors or 35mm film

Ultra wide-angle 8mm fisheye lens with exaggerated perspective and approximately 180° angle of view, for dramatic effects

Ultra-wide 167° diagonal field-of-view for APS-C size image formats--will produce a rounded image that doesn't cover the entire frame when used with compatible full frame digital cameras

Manual focus lens with no electronic connections to the camera for automatic focus nor metering.

Lens is constructed with hybrid aspherical lenses for outstanding, sharply defined images

Lens features super multi-layer coating to reduce flare and ghost images

Lens has a minimum focusing distance of 12" (30.48 cm) for enhanced close-up shots

Lens includes a built-in petal-type lens hood

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 85mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Sony E-Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 85mm lens produces a 28.3° angle-of-view when used with full-frame sensor cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3'6" from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens's threaded front accepts 72mm filter rings.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. "Declicked" aperture ring for smooth iris pulls.

A removable lens hood provides flare protection without a matte box.

The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Micro Four Thirds Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 24mm lens produces a 47.6° FOV when used with micro four thirds cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

24mm lens with approximate angle of view of:

MFT: 47.6°

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

ED, extra-low dispersion glass, helps reduce chromatic aberration and can improve contrast and color saturation. Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. "De-clicked" aperture ring for smooth iris pulls.

A minimum focusing distance of 9.8" allows you to get up close to your subject.

A removable petal-type lens hood provides flare protection without a matte box.

Rokinon's Xeen 135mm T2.2 Lens with Canon EF Mount is built specifically for use as a cinema lens. It features an internal focus design so that the lens does not change size while focusing, minimizing breathing. Each lens in the Rokinon Xeen cinema lens set is multi-coated for good contrast, glare prevention, and color matched to a factory standard, allowing you to assemble a set over time with minimal color shift. This 135mm focal length is often chosen for portraits and close-ups. The lens features dual-sided focus scales in feet, with dual-sided iris scales. The 11-bladed iris provides a round aperture for natural looking highlights and Bokeh.

The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision and consistent focus.

This is a 135mm lens that has an image circle that covers a full-frame sensor. It has the effect of bringing the background closer, and it is often used for close-ups and long shots, where you want a compressed feel and out of focus background.

The lens features metal construction to withstand the rigors of daily production, and comes with a support foot that can help take strain off your camera's lens port.

Dual calibrated right and left side focus and T-stop scales allow your focus puller to work from either side of the lens, without having to flip the lens.

Each lens in the Xeen series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. The lenses in the Xeen series also share focus and iris rotation, with focus having 200° of rotation and iris having 40° of rotation.

The common 114mm front diameter between lenses in the series allows for quick lens changes as you don't have to swap out anti-reflection donuts or adapters to use the same matte box.

Clickless aperture ring for smooth iris pulls.

A minimum focusing distance of 2.6' allows you to get up close to your subject.

The 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount from Rokinon is a fast manual focus prime lens. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.

The 50mm has a minimum focus distance of 1.5'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. The filter thread diameter is 77mm.

With this 50mm lens, Rokinon introduces the DS series of cinema lenses, unifying their cine lenses in more than just name. Each of the DS branded lenses will offer the same alignment of their geared focus and aperture rings so that follow focus and other rig accessories won't need re-adjustment when swapping lenses. Also, each DS lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. Lastly, the lenses are marked with focusing scales on each side of the barrel for easier adjustment from either side of the camera.

Standard length manual focus prime lens for EF mount cameras.

Functional as still photo lens but optimized for cinema and video shooting with geared aperture and focus rings, de-clicked aperture for smooth exposure transitions and laterally printed aperture and distance markings. The 50mm T1.5 is part of the DS series of cine lenses, sharing characteristics and features that unify the series and make it easier for users to swap out lenses when shooting video. Each DS lens provides aligned focus and aperture rings so that readjustment of the follow focus is not necessary when switching lenses. Also each lens has been tested to match color and contrast for a consistent look and less potential post-processing. Finally, all DS lenses print focus scales on each side of the lens barrel for ease of use from both sides of the camera.

Very fast T1.5 maximum aperture for effective low light capture and shallow depth of field.

Internal focusing system with 9 lens elements in 6 groups.

One aspherical and one hybrid aspherical lens element control aberrations and improve sharpness throughout the frame.

Lens multi-coating improves light transmission and reduces flare and ghosting.

Minimum focus distance of 1.5' Filter thread diameter of 77mm

The 50mm T1.5 AS UMC Cine DS Lens for Sony E Mount from Rokinon is a fast manual focus prime lens. It is compatible with APS-C and full frame E-mount cameras, having a full frame focal length equivalent of 75mm with APS-C sensors. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.

The 50mm has a minimum focus distance of 1.5'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. The filter thread diameter is 77mm.

With this 50mm lens, Rokinon introduces the DS series of cinema lenses, unifying their cine lenses in more than just name. Each of the DS branded lenses will offer the same alignment of their geared focus and aperture rings so that follow focus and other rig accessories won't need re-adjustment when swapping lenses. Also, each DS lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. Lastly, the lenses are marked with focusing scales on each side of the barrel for easier adjustment from either side of the camera.

Compatible with both full frame and APS-C format E-mount cameras, this 50mm manual focus prime lens provides the 35mm focal length equivalent of 75mm on Sony E mount APS-C format cameras.

Functional as still photo lens but optimized for cinema and video shooting with geared aperture and focus rings, de-clicked aperture for smooth exposure transitions and laterally printed aperture and distance markings. The 50mm T1.5 is part of the DS series of cine lenses, sharing characteristics and features that unify the series and make it easier for users to swap out lenses when shooting video. Each DS lens provides aligned focus and aperture rings so that readjustment of the follow focus is not necessary when switching lenses. Also each lens has been tested to match color and contrast for a consistent look and less potential post-processing. Finally, all DS lenses print focus scales on each side of the lens barrel for ease of use from both sides of the camera.

Very fast T1.5 maximum aperture for effective low light capture and shallow depth of field.

Internal focusing system with 9 lens elements in 6 groups.

One aspherical and one hybrid aspherical lens element control aberrations and improve sharpness throughout the frame.

Lens multi-coating improves light transmission and reduces flare and ghosting.

Minimum focus distance of 1.5' Filter thread diameter of 77mm

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 135mm T2.2 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Micro Four Thirds Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 135mm lens produces a 9.5° angle-of-view when used with Micro Four Thirds sensor cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 2.6' from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens's threaded front accepts 77mm filter rings.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. "Declicked" aperture ring for smooth iris pulls.

A removable lens hood provides flare protection without a matte box.

The lens opens up to T2.2, providing the capability for low light shooting or creating extremely shallow depth of field.

• 16mm Lens Covers Full-Frame Sensors
• Suitable for 6K Image Capture
• Internal Focus Design
• Additional Mounts Available
• Multi-Coating for Color Consistency
• Dual Side Focus and T-Stop Scales
• Cinema Gearing for Focus and Iris
• 200° Focus Rotation
• 114mm Front Diameter

Rokinon's Xeen 35mm T1.5 Lens for Sony E-Mount is built specifically for use as a cinema lens. It features an internal focus design so that the lens does not change size while focusing, minimizing the appearance of breathing when changing focus. Each lens in the set is multi-coated for good contrast, glare prevention, and color match to a factory standard, allowing you to assemble a set over time with minimal color shift. This 35mm lens provides what is considered a somewhat wide angle of view on full-frame cameras, and a tighter angle of view on smaller formats.

The lens features dual-sided focus scales marked in feet, with dual-sided iris scales. The 11-bladed iris provides a rounded aperture for natural looking highlights and bokeh. The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity. This gives you a high degree of precision when adjusting focus.

This 35mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a full-frame sensor it provides you with what is considered a slightly wide angle of view.

The lens features metal construction to withstand the rigors of daily production.

Dual right and left side focus and t-stop scales allow your focus puller to work from either side of the lens, without having to flip the lens in the mount, or facing upside numerals.

Each lens in the XEEN series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.

The common 114mm front diameter allows for quick lens changes as you don't have to swap out anti-reflection donuts or adapters to use the same matte box.

The non-rotating front allows you to use optional clip-on matte boxes.

Clickless aperture ring for smooth iris pulls.

A minimum focusing distance of 13" allows you to get up close to your subject.