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  • Rokinon 14mm T3.1 Cine DS Lens for Micro Four Thirds Mount

    Overcoming the challenges in assembling a set of lenses over time the Rokinon 14mm T3.1 Cine DS Lens for Micro Four Thirds Mount covers four thirds sensors and features a multi-layer coating process for consistent color rendition from lens to lens. It features industry standard geared focus and iris rings that share a common position with other Rokinon Cine DS lenses. This 14mm lens produces a 76.2°, wide angle-of-view when used with a four thirds sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11" from the lens.

    Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

    14mm lens with approximately 76.2° angle-of-view on four thirds cameras.

    Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are matched to a color standard eliminating the need to acquire an entire set of lenses at the same time.

    Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.

    "De-clicked" aperture ring for smooth iris pulls.

    A minimum focusing distance of 11" allows you to get up close to your subject.

    A built-in petal-type lens hood provides flare protection without a matte box.

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  • Rokinon XEEN Support Mount Kit for PL

    Rokinon XEEN Support Mount Kit for PL Learn More
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  • Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount

    Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

    This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

    Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

    24mm lens with approximate angle of view of:

    Full-Frame: 84.1°

    APS-C: 57.6°

    Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

    ED, extra-low dispersion glass, helps reduce chromatic aberration and can improve contrast and color saturation.

    Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.

    "De-clicked" aperture ring for smooth iris pulls.

    A minimum focusing distance of 9.8" allows you to get up close to your subject.

    A removable petal-type lens hood provides flare protection without a matte box.

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  • Rokinon XEEN Support Mount Kit for Nikon

    Rokinon XEEN Support Mount Kit for Nikon Learn More
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  • Rokinon 50mm T1.5 AS UMC Cine DS Lens for Micro Four Thirds

    The 50mm T1.5 AS UMC Cine DS Lens for Micro Four Thirds from Rokinon is a fast manual focus prime lens. When used on Micro Four Thirds format cameras it offers a 35mm equivalent focal length of 100mm, pushing it into a telephoto angle of view. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.

    The 50mm has a minimum focus distance of 1.5'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. The filter thread diameter is 77mm.

    With this 50mm lens, Rokinon introduces the DS series of cinema lenses, unifying their cine lenses in more than just name. Each of the DS branded lenses will offer the same alignment of their geared focus and aperture rings so that follow focus and other rig accessories won't need re-adjustment when swapping lenses. Also, each DS lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. Lastly, the lenses are marked with focusing scales on each side of the barrel for easier adjustment from either side of the camera.

    50mm manual focus prime lens provides the 35mm focal length equivalent of 100mm on Micro Four Thirds format cameras. Functional as still photo lens but optimized for cinema and video shooting with geared aperture and focus rings, de-clicked aperture for smooth exposure transitions and laterally printed aperture and distance markings. The 50mm T1.5 is part of the DS series of cine lenses, sharing characteristics and features that unify the series and make it easier for users to swap out lenses when shooting video. Each DS lens provides aligned focus and aperture rings so that readjustment of the follow focus is not necessary when switching lenses. Also each lens has been tested to match color and contrast for a consistent look and less potential post-processing. Finally, all DS lenses print focus scales on each side of the lens barrel for ease of use from both sides of the camera. Very fast T1.5 maximum aperture for effective low light capture and shallow depth of field. Internal focusing system with 9 lens elements in 6 groups. One aspherical and one hybrid aspherical lens element control aberrations and improve sharpness throughout the frame. Lens multi-coating improves light transmission and reduces flare and ghosting. Minimum focus distance of 1.5' Filter thread diameter of 77mm

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  • Rokinon 14mm f/2.8 IF ED UMC Lens For Canon EF

    Rokinon 14mm f/2.8 Overview

    The 14mm f/2.8 IF ED UMC Lens for Canon EF from Rokinon gives you approximately a 115° view with dramatic results when used with a full frame digital camera or 35mm film camera. With hybrid aspherical lenses, you will produce sharply defined images with a minimum of distortion and chromatic aberrations. This manual focus 14mm lens focuses as close as 0.9' / 28cm from the lens, and has a built-in petal-type lens hood. With some cameras,Shutter Lock must be disengaged on the camera's menu.

    Ultra wide-angle 14mm lens with an approximately 90° angle of view using an APS-C camera, for dramatic effects Lens is constructed with two ED lens elements, one hybrid aspherical lens element and one glass aspherical lens element, for outstanding, sharply defined images Minimal distortion and chromatic aberrations Super multi-layer coating to reduce flares and ghost images Lens has a minimum focusing distance of 0.9' / 28cm for enhanced close-up shots Also conforms to APS-C (1:1.5x) size digital imaging format Lens includes a built-in petal-type lens hood

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  • Rokinon Xeen 24mm T1.5 Lens for Sony E-Mount

    Rokinon's Xeen 24mm T1.5 Lens for Sony E-Mount is built specifically for use as a cinema lens. It features an internal focus design so that the lens does not change size while focusing, this minimizes the appearance of breathing when changing focus. Each lens in the set is multi-coated for good contrast, glare prevention, and are color matched to a factory standard, allowing you to assemble a set over time with minimal color shift. This 24mm lens provides what is considered a wide angle of view on full-frame cameras, and a tighter angle of view on smaller formats.

    The lens features dual sided focus scales marked in feet, with dual sided iris scales. The 11-bladed iris provides a rounded aperture for a natural looking highlights and Bokeh. The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision when adjusting focus.

    This is a 24mm lens that has an image circle that covers a full-frame sensor. When mounted on a camera with a full-frame sensor it provides you with a wide angle of view.

    The lens features metal construction to withstand the rigors of daily production, and comes with a support foot that can help take strain off your camera's lens port.

    Dual right and left side focus and T-stop scales allow your focus puller to work from either side of the lens, without having to flip the lens in the mount, or facing upside numerals.

    Each lens in the XEEN series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.

    The common 114mm front diameter allows for quick lens changes as you don't have to swap out anti-reflection donuts or adapters to use the same matte box.

    The non-rotating front allows you to use optional clip-on matte boxes.

    "Clickless" aperture ring for smooth iris pulls.

    A minimum focusing distance of 10" allows you to get up close to your subject.

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